A remote and lonely hotel holds a dark secret. La Patasola, a vengeful being marked by the loss of her son and her leg, seeks to punish the unfaithful. Rodrigo, an investigator, and Susana, his young lover, arrive at the hotel under the pretext of investigating an unsolved disappearance, but they will soon discover that they are locked in a deadly trap. La Patasola, thirsty for revenge, will unleash all her fury against the infidels and make them pay the price for their deceit, transforming their visit into a nightmare with no escape.
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
That feeling in your gut which tells you that there’s something out there you should look for and make your own, is what the power represents
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
