La Partenza 

A teen comedy that nobody wants to see.

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.

Self expression among teenagers is explored in the live adaptation of Jerry Spinelli's novel of the same name.

As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.