Ukraine, 1996. 5 months before the moratorium on capital punishment, two old friends, a police detective and a forensic psychiatrist, investigate a murder of their colleague. Long time ago, both of them were in love with the widow of the deceased. Immersed in the complicated case and long forgotten memories, they create a future where their children have to live, inheriting unrealized aspirations of their parents.
Death on the Nile (1978) film mindless entertainment playing out on sets and wonders larger than the stakes, both of these films fail to live up to the hype of Agatha Christie's mystery. Check out cast & characterless controversy.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
Taika Waititi writes, directs and co-stars in 'Boy', set in 1984 New Zealand. The film does just what Waititi dreamed of — it gave a great coming-of-age story to Māori people without making a story of the Māori people as an exotic other.
'Legally Blonde' remains a standard of feminist filmmaking over two decades after its release, although its poor treatment of racial and sexual minorities make it a product of its time.
