Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

Eduardo is a young upper-class Colombian who is kidnapped by a guerrilla group, and becomes trapped in the middle of the crossfire between the military, paramilitary and guerrilla groups. His outlook on life and his own country, will change radically after the traumatic experience that lives along several months, in which he risks his life in multilple transfers to different camps, as well as armed clashes, along with the extreme loneliness that puts him on the brink of madness.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
Shadow & Bone excels in natural story representation with powerful centering of culture. Jessie Mei Li stars as Alina Starkov, the feisty cartographer with kindness, innocence, and integrity, who comes to be revealed as the legendary summoner of light.
Based on the novel by Jennifer Mathieu and directed by Amy Poehler takes on intersectional feminism.
Alongside A Drowning Man, I Signed The Petition, 3 Logical Exits, and A World Not Ours, A Man Returned continues to paint a realistic portrait of the Refugee Crisis that eschews the Western gaze and stereotype. These are real portraits painted by a director with lived experience, cultural connection and an amazing eye for visuals.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.