
The Lagoon tells the story of two characters who are forced to start a trip together. A man looking for a lagoon with metaphysical properties and a local guide who knows the way. Two different worlds that converge in an austere ecosystem, on a mountain that marks a new code to follow. But as they move forward, the trip itself takes on meaning and eclipses the constant search for that precious objective.
Another uneven "Guess Who's Coming to Dinner" redux that says nothing novel about its subject matter.
After the untimely death of his brother by way of an ambush in Kandahar, Afghanistan, the protagonist, ‘81’(Alan Ritchson) unsuccessfully makes several attempts to become an Army Ranger. On his last mission to complete the Ranger selection process he and his squad encounter an otherworldly ‘soldier’.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.