Why you Must Stream Netflix's new French Horror 'The Swarm'
A film about family and sacrifice... and carnivorous locusts coming after you.

Based on four experiences—Francisca in the Aymara Network of ERBOL Bolivia, Almir in the Amazon incorporating the Internet, Matías in the Mapuche Radio of Patagonia, and Ariel working with video in the villages of Brazil—the documentary seeks to represent the way in which indigenous peoples use their own means of communication to resist the invasion of their territories, the plundering of their resources, legal persecution, cultural discrimination, the lack of official recognition of their institutions, the denunciation of their inequalities, and the vindication of their differences.
A film about family and sacrifice... and carnivorous locusts coming after you.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
If you want to feel the rush, you have to take the risk.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
Cursed is based on Frank Miller’s graphic novel, and is a retelling of the Arthurian legend with a twist. Instead of King Arthur gaining Excalibur, a teenage sorceress named Nimue (Katherine Langford) does. Her people — the Fey — are being hunted down, and so Nimue will do whatever it takes to save them.
The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.