In a small seaside town, a couple can no longer love each other. Around them, the townspeople are preparing to celebrate the Sea Festival, even though the fish have long since disappeared.
This 2016 winner of an Ophir Award for Best Film focuses on the forbidden romance of a young, Bedouin woman and the ramifications it has for her family, her identity, and her culture.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
If you enjoy the bizarre, silly and entertaining world of the horror B-movies and want a break from the nuanced and poignant big budget horror releases, I have a list of gore-fests from the last ten years to enjoy this October.
But what many do not know is that in 2019, a Wonder Woman film was released that had all of the positive qualities of WW84, and remedied many of the negative ones. Wonder Woman: Bloodlines, a direct-to-video animated movie in the DC Animated Movie Universe, perfectly balances the campiness and seriousness of the character.
Adventure Time, Legend of Korra, Steven Universe, The Loud House, The Hollow, OK-K.O.! Let’s Be Heroes, The Dragon Prince, etc!
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
