Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

It’s summer in a small port town in Brittany. Isabelle (Pascale Rocard), who has just graduated from high school, comes to join her mother Micheline (Bernadette Lafont). Micheline is being courted by a beach boy, Maurice—whom everyone calls Doudoune (Bernard Menez). Isabelle soon begins a sweet romance with one of his friends, Pascal (Pascal Meynier). Meanwhile, her father (Michel Aumont) has stayed behind in Soissons, where he runs a medical laboratory, and is bored to death. Every weekend, he comes to spend 48 hours with Micheline and sometimes splurges a little extra in Paris, hitting on girls in nightclubs. Efforts that are not crowned with success. On the contrary, in Brittany, that ladies’ man Doudoune gets what he wants... But when the family man comes to join his loved ones, the blunders and misunderstandings multiply...
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
There’s been a longstanding criticism of sci-fi films about its lack of Black characters. For the past few years, Anthony Mackie has been successfully representing Black masculinity in the otherwise homogenous genre and I am here for it.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
“Unsung” does not begin to describe the obscurity Bayard Rustin endured in the shadows of the Civil Rights Movement
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.