Daniel, a young boxer on the point of winning the title several times, is beaten yet again and commits a robbery that lands him in jail. Guillermo, a self-destructive policeman tormented by his latent homosexuality, blackmails Daniel into committing a murder behind bars. In exchange, Daniel gains his freedom and returns to the only thing he knows how to do: box. But this time the search for pain to relieve the guilt has made his conservative style more aggressive. He remembers the last conversation he had with the man he killed, when he talked about his wife, and goes to meet her. Seeing danger in the relationship between the victim's murderer and his widow, Guillermo tries to stop it.
I was able to sit down and talk with up and coming producer and director Ryan Polomski who talked about his latest project Raymond Lewis: LA Legend. It's a documentary about basketball star Raymond Lewis and here is what I found out.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
Michael Shanks’ Together is a queasy, hilarious, and surprisingly heartfelt body-horror trip that fuses love and terror in the most literal sense. Starring real-life couple Dave Franco and Alison Brie, this midnight gem twists Plato’s soulmate myth into a gory, darkly funny tale of codependency, cults, and chainsaws — equal parts romance and nightmare.
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
