Straight Actors Playing Queer Characters Is Exhausting
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.

Santiago, Chile. September 11, 1973. A military dictatorship seizes power and wields it for 17 years. Thousands of men disappear. "Donde estan? (Where are they?)," ask the women, their partners in la cueca, the traditional Chilean courtship dance. Surmounting their grief, the women speak out and struggle to restore democracy. Their lives suspended, they continue to dance la cueca sola, alone. This documentary by Marilu Mallet tells the stories of five women who suffered under dictatorship and emerged as heroes under democracy. The threads of the five stories are closely intertwined with the history of Chile, encouraging reflection on the burden of heritage, the relativity of happiness and the power of memory. Navigating through the past but firmly moored in the present, the film expresses an entire nation's faith in a future in which such a thing will never happen again.
It’s 2021 and what few LGBTQ+ films that are produced by major film studios continue to star cisgender heterosexual actors, rather than actual LGBTQ+ people.
Paris is Burning elevated drag and ballroom into the public consciousness and permanently impacted LGBT culture. However, the performers featured in the documentary didn't reap the rewards of their visibility.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
As a frequent “the book was better” extoller, this movie was well worth the watch.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
The second entry of the Five Nights at Freddy’s series released recently, garnering very divisive reviews amongst both fans and critics.