“The 100”: Highlighting Humanity’s Successes and Failures in Overcoming Hateful Rhetoric
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

In the celebrations of the recruits, Don Esteban rejects José Luis, the boyfriend of his daughter Luz María, who promises to kidnap her.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
The Cycle refuses to lean into the same old, same old monster-movie tropes and builds the entire premise around the intellect and the history of a capable, smart female protagonist.
The roaring emotional ride that was the season four finale sets June on a new path: more of a Survivor's Journey.
The coming-of-age story that brings viewers into the world of Broadway, New York City, with musical talent and LGBTQ leads.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.