‘Thunderbolts*’—A Spark of Hope in Dark Times
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.

La Bayadère is a three-act ballet by the French choreographer Marius Petipa. Set in 19th-century India, La Bayadère tells the sad love story of the noble warrior Solor and his Nikiya, a temple dancer or 'bayadère', who is poisoned by her rival, Gamzatti. This production of the ballet features the revised choreography by Vladimir Ponomarev and Vakhtang Chabukiani (1941), and includes dances by Konstantin Sergeyev and Nikolai Zubkovsky. The ballet’s music, composed by Ludwig Minkus, is performed by the Mariinsky Orchestra under the direction of Boris Gruzin. Among the performers are Viktoria Tereshkina, Anastasia Matvienko, Vladimir Shklyarov, and Vladimir Ponomarev. This performance was recorded at the Mariinsky Theatre in St. Petersburg, Russia, in July 2014.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.
In the shadow of towering film production companies lived dozens of grindhouses, genres, and low-budget films deemed too “unclean” for the modern film audience.