Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

What do Patricia, Badou, François, Dingo and P'tit Jeannot have in common? They live in the Paris suburbs, they are young, they are on the verge of breaking away from school, from the working world or from the Army. Their meeting place is "La Javanaise", a bar held by no-nonsense Janine and her lighter husband Lucien. There they mix with their idol, Daniel, also known as Frankie Mégalo, a film projectionist and a rocker without a band. Most of the efforts of these born idlers will consist in finding a band and a venue for Frankie to perform and in laying hands on cash by means fair or foul to go to the Southern sun.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
An uncomplicated, family-oriented man struggles to adjust to an ever-changing world, especially after suffering a loss. Even for the early 1900s, a less complicated time in many ways than now, Robert Grainier (Joel Edgerton) is a simple man.
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