Recorded at the Casino de Paris from January 7 to 9, 2022. A great night out is the perfect time for Kyan Khojandi to recount the best night of his life in the form of a multi-layered story in which he and Navo brilliantly employ their signature running gags and rapid-fire delivery, taking the audience on a truly intimate journey filled with playful nods to pop culture. This show offers 90 minutes of humor, a fireworks display of clever ideas, and a brilliant finale that pays a final tribute to “Bref,” the comedy sketch series in which Kyan Khojandi takes center stage.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Court TV shows offer uncritical eyes on the systemic inequalities of the legal world.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
Rather than focusing on the bleak, cynical aspects of life post-pandemic, the focus is optimistic and hopeful.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
