Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Immersed in his research work, professor Reinhold Varavaara realizes that he has neglected his children's upbringing. He falls in love with his son Pelle's girlfriend Marja and becomes a laughing stock in the eyes of his family. The offended father sets out to discipline his ill-behaved children.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
The message to take away from 'Causeway' is that toxic masculinity can manifest in anyone, no matter what their gender identity is.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
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What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.