The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

The film takes place in the 1780s. The Russians plan to overthrow Gustav III from the Swedish throne and Lieutenant Rehusen tries to stop them, while fighting for his king, he also fights for his love.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.
‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.