Kulambadikal 

Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

This little Netflix film was very inspirational. It passes the Bechdel test, and features a different worldview with rural Indian representation.

Friendships are tested when two girls have a crush on the popular boy at school.

In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.

Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?