Once Upon a Time in (White) Hollywood
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.

A comedy about well-hidden children, a diabolical plan, and how it all came to light in the end. There are situations in life when everything gets tangled up somehow. People, especially when they are still young and inexperienced, sometimes break up and get together too quickly, and the consequences may only become apparent many years later. In this particular case, they came to light when Gábina and Petr decided to get married. Everything would have been fine if Petr's father and Gábina's mother hadn't realized during their introduction that they had actually known each other for a long time and, worse still, that their children were siblings who had been well hidden until then. The mistake had been made, and now what? How to separate the young couple without arousing their suspicions, and especially those of the rest of the family? Yes, a diabolical plan must be devised...
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
'The Menu' has a strong story. The 5 acts, which are defined by the courses, are an excellent subversion of the classic 5-act film structure.
Sing 2 the beat in this jukebox sequel featuring anthropomorphic animals with musical talent.
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).
'Free Guy' combines classic Disney (a white heteronormative love story), exploration of popular video games and the culture around them, and Ryan Reynolds adult humor in the best way to make a super fun family flick.