Don’t Give Disney a Pat on the Back for Doing the Bare Minimum
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.

Arriving in Taiwan in the 1950s, Kuei-mei makes a disadvantageous marriage to a widower with three unruly kids and a bad gambling habit. Beautifully portrayed by celebrated actress Yang, she weathers pregnancies, her husband's infidelity, her daughter's resentment, a stint as servant in Japan, divorce, and illness while struggling to keep the family restaurant business afloat.
Disney has cleverly managed to dance around the misdeeds of their past by scraping by with an insincere action that does very little to incite any long-lasting positive changes.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
Eloquent and informative, Hajera Sheikh’s documentary Kathak: Dancing With Taboos tells a story of love for one’s culture and perseverance through adversity.