
The main character of the film is a little boy named Marek, who from an enemy of nature becomes its devoted friend. Before this happens, however, fate plays quite a trick on him. At first, however, nothing foreshadows this. Marek arrives in the forest with a school trip. He quickly separates himself from the rest of the children, after which he gives vent to his hooligan fantasy. He destroys an anthill, cuts a tree with a knife, tries to catch a spider. When he fails, he starts chasing a butterfly. He doesn't know that under this figure hides the prince of white and black magic. Wanting to punish the unruly boy, the sorcerer reduces him to the size of an insect. Mark, reduced to the size of an insect, must learn to live in completely new conditions. This is by no means easy.
The cancelling of these series is being blamed on the writers' strike and low viewership, but it's just the latest example of the industry's lack of appreciation for stories about queer women.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
What starts off as a success story for a single mother living below the poverty line, slowly begins to weave itself into a tangled web of greed, guilt, and destruction.
Emma Stone (Estella and Cruella) and Emma Thompson (the Baroness) did not come to play around in Cruella. They embodied the perfect balance of sinister and sincere. Estella went through a great hero's journey, and what a journey it was!