“Fjord” is Beautifully Indecipherable
Fjord, like its story, is not a conclusion, but a beginning.

The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin's beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.
Fjord, like its story, is not a conclusion, but a beginning.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Lee Daniels’s Billie Holiday biopic The United States vs. Billie Holiday was released on February 26th, 2021, and my immediate reaction to it was one of discomfort.