
Berlin pensioner Paul Krüger looks forward to lead his fatherless-raised pregnant granddaughter Annie to the altar, but Turkish groom Denis's sugar uncle insists due to Anatolian family honor tradition on the presence of her biological father Harald, whom her mother Susanne never even told about their child having broken up. Knowing only Harald moved to Greece, Krüger takes his pétanque (bowling) pub buddies Ecki and Bernd along to Hellas, a country they know nor trust. Equipped only with an old photograph, they find themselves on the wrong island, upsetting the wrong shopkeeper's family. Having crossed to the right one, they wander into a tempting German free sex commune, before even learning Harald is now an orthodox monk in a monastery, which observes lent silence, albeit without fasting. The clergyman won't consider returning until Paul calls in unenthusiastic help, and even then the monk isn't on their plane back.
In 1977, Star Wars changed the world. It took the universe by storm, completely redefining everything everyone knew about movies. But then, in 1980, The Empire Strikes Back changed Star Wars. Sequels were not as well regarded back then as they are today.
If your upbringing was anything like mine, where the TV acted as an additional parent- there are so many new stories and perspectives to explore.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.