It's 'Barbie' (2023)
This live-action Barbie movie brings strong feminism and topics about blondes.

The turmoil of the last days of the war. 13-year-old Tom loses his mother while on the run. In Vienna he meets the one-legged black marketeer 'Krücke' - a sly, cunning survivalist and at the same time an adorable, kind friend. The two find shelter with Bronka, a Jewish woman who serves alcohol to Allied soldiers and black marketeers. Tom and Krücke settle into this insecure world. Krücke plays the saxophone, Tom waits tables, until one day a return to Germany becomes possible. But the train that the one-legged man and the boy board is stranded in no man's land...
This live-action Barbie movie brings strong feminism and topics about blondes.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Netflix takes some liberties in its portrayal of Madame CJ Walker, a trailblazing Black entrepreneur.
After years of silence, trauma, and backlash, Rose McGowan tells her own story in this miniseries.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.