Krakatoa, East of Java (1969)

Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.

In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.

The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.

If you want to feel the rush, you have to take the risk.

Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.