Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Kor Talih poster

Kor Talih 

At her friend's insistence, Damla goes on a date she doesn't want to, mistaking Zafer, the owner of the restaurant she's supposed to meet, for the person she's actually with. This small mix-up will change both their lives. Damla struggles to resolve issues from her past, while Zafer tries to cope with the expectations of his family and those around him. As time goes on, the two find themselves in a fake relationship, facing the complicated consequences of the charade they're trying to maintain.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


At her friend's insistence, Damla goes on a date she doesn't want to, mistaking Zafer, the owner of the restaurant she's supposed to meet, for the person she's actually with. This small mix-up will change both their lives. Damla struggles to resolve issues from her past, while Zafer tries to cope with the expectations of his family and those around him. As time goes on, the two find themselves in a fake relationship, facing the complicated consequences of the charade they're trying to maintain.

Rating:
Genre:Romance, Drama
Directed By:Murat Saraçoğlu
Written By:
In Theaters:
Box Office:

Runtime:

Studio:GAİN MEDYA A.Ş.

Articles You May Like


"The Father" is a Depressing But Insightful Look at Dementia

With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.

Matt Geiger