Konün Wenu 

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.

'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.

YouTube surpasses Netflix but there is more to the story.

Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.

Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.