Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Komar and Melamid poster

Komar and Melamid 

In the USSR, they rebelled against the regime by making fun of official state propaganda. In Cold War-Era New York, they were crowned Soviet Pop Artists, and entered every major museum collection in the West. Now, decades after the collapse of both the Soviet Union and their friendship, the dissident artist duo Komar and Melamid reflects on the artists’ unlikely takedown of an empire, as Russian totalitarianism rages once again.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


In the USSR, they rebelled against the regime by making fun of official state propaganda. In Cold War-Era New York, they were crowned Soviet Pop Artists, and entered every major museum collection in the West. Now, decades after the collapse of both the Soviet Union and their friendship, the dissident artist duo Komar and Melamid reflects on the artists’ unlikely takedown of an empire, as Russian totalitarianism rages once again.

Rating:
Genre:
Directed By:Sam Vladimirsky
Written By:
In Theaters:
Box Office:

Runtime:11 minutes
Studio:

Articles You May Like


It's Theater VS Cancer in "Don't Say Good Luck"

Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.

Jo Moses