
At the end of the 1960s, in the midst of political and social turbulence between revolt and reaction, journalist and filmmaker Oswalt Kolle fights for his ideas of liberal sex education with great commitment and sometimes missionary zeal. But Kolle has to fight against fierce resistance: The German Film Industry's Voluntary Self-Regulation Body (FSK) wants to put his latest film "The Miracle of Love" on the index. In a tough and at times unintentionally comical battle, Kolle has to go through three instances before he wins full approval for the film with the help of his agile producer Lenz Schäfer and the resourceful lawyer Dr. Fritz Ascher.
Lin-Manuel Miranda's Tony-winning musical translates beautifully to the screen.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.
Seeing that the film was essentially his first big, mainstream feature, and with garnering a leading role — portraying the revolutionary ball-player Jackie Robinson — Boseman, without question, delivered a performance that is still so incredibly moving, respectful, genuine, and true to the core of his obviously sincere, artistic heart; and with that, it is indeed so saddening to see him pass.
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