Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

Major Balbir Singh Sodhi (Amitabh Bachchan) attempts to kill the Indian Home Minister Veer Bhadra Singh (Danny Denzongpa) but is unsuccessful. He has been identified, and the army is on the look-out for him to court-martial him. They suspect that he has assumed a new identity, that of Devraj Hathoda alias Dadabhai...
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Zombie apocalypses have been metaphors for late-stage predatory capitalism, but never a system disrupter that brings about freedom.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
The original Mothra is a fun monster movie that has way stronger lore, music, and special effects than most of its contemporaries.
In Jeymes Samuel's history-infused, neo-spaghetti western, Black women are center stage with a fresh hip hop mixtape keeping rhythm in the backdrop.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.