The movie starts off with Ryotsu (with Honda as his patsy) hatching another crackpot scam with a fake UFO sighting (via fake crop circles and a wire-hanging UFO). But the plan fails per usual, with the Kameari Park Police Box which results in Ohara punishes Ryotsu by subtracting him from the station's group vacation to Hawaii the following day.
On the Road captures the bleak, hyper-masculine world of long-haul trucking in Northern Mexico, where anything can and will happen. A hard-boiled, neon-noir romantic thriller, it shows the gritty reality of roadside diners, truck stops, and truck cemeteries alongside the expansive, breathless beauty of the Mexican desert highways.
Director Martin Scorsese broadens his boundaries from mafia-driven movies, to a Buddhist biopic of the 14th Dalai Lama. While Buddhism strives for peace, ‘Kundun’ reveals the violence inflicted on Tibetan Buddhists and Scorsese’s depiction of violence does not stray away.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
A dark film in the tradition The Brother’s Grimm.
When a group of White women are invited to dinner by an Indian woman and a Black woman to talk about race in America, sparks fly.
