'Eve's Bayou' Brings Post-Memory Towards West-Indian Culture
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.

The film enters into a dialogue with biographism as a method of interpreting art, while also showing that it is impossible to escape biographism entirely. Its creators recognize the value in the attitude of avant-garde artists, which lay in overcoming life’s adversities and pushing their imagination beyond what others consider an insurmountable horizon. In this film, nothing is as it actually happened—and this not-happening is intentional. By watching situations that never took place, we can draw conclusions about the things that did. The viewer steps into the role of a detective, because a crime has been committed in this story. Among the suspects are: Fanny Kaplan, who attempted to take Lenin’s life; Fritz Haber, the father of chemical warfare, and his wife, who took her own life in despair; as well as the cities Paris, Moscow, St. Petersburg, and Łódź.
In an all-black community in Louisiana, a young girl learns her father has committed infidelity and turns to hoodoo to seek justice.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.
A dog who needs to learn new tricks in this family comedy.
How do zombie films shine new light in the post-Covid and post-Brexit era?
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.