King Arthur's kingdom and the knights of the Round Table are in the doldrums since the Dark Knight stole the Singing Sword and put it under the protection of a fire-breathing dragon. The king's jester, Bugs Bunny, says only a fool would try to steal it back, so the king orders him to try. The jester boldly enters the Dark Knight's castle, initially catching his adversaries napping, but when the Singing Sword wakes the knight and the dragon, can Bugs complete his mission? He's a clever fool. A moat, portcullis, and catapult all figure in the face off.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
"Clifford the Big Red Dog" retells the adventures of Emily and her striking puppy to highlight the joy of being different and inspire another wave of young fans.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Gretel & Hansel falters due to its razor thin story and lack of characterization. It loses sight of horror’s key rule: In order to create an effective tale, characters and emotions must be emphasized.
