Samantha Mitchell’s “RSVP” : Incluvie Film Fest
“There’s always something you can do…to make people feel like they’re welcome”

On a girls' night, two girls converse about a kitchen leak, weaving their shared creativity into an unfinished novel's ending. Amid their imagination, real life troubles and reflections intertwine. A mysterious phone call may eventually provide the sought-after answers.
“There’s always something you can do…to make people feel like they’re welcome”
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
A throwback to the last months of the 20th century in this comedy film.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
'My Policeman' simultaneously delighted and disappointed audiences at TIFF, but everyone can agree that the performances and truth of the story will convince audiences that this film is worth the watch.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.