A Killer's Hold on a City in 'Boston Strangler'
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.

A young man, Jimmy known as “Kisss”, wanders on the bridges of Paris, carrying a sign “for rent”: he offers his services as a companion, in exchange for a can of tin per hour. He meets a young woman, Renée, who then takes him into her home. Both are maintained by Renée's sister, the naive Jacqueline. The latter works as a secretary for a businessman who pursues her with his attentions.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Disney has kept its word and allowed a new generation of Black and/or African storytellers to tell their own original stories. The question remains, will the public keep their word?
Spoiler Warning
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
As an extremely avid fan of DC’s animation, I’ve become familiar with the way the studio uses Batman as a bit of a Trojan Horse to introduce some of their lesser known characters.