'Don't Worry Darling' Review: 'Get Out' But For White Women
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

For over a quarter century, KISS has shaped the face of popular music and rock culture. The KISS Alive Worldwide tour saw the rebirth of rock's most incredible band. Witness firsthand the amazing story of how after 17 years, Gene Simmons, Paul Stanley, Ace frehley and Peter Criss's paths finally crossed, reuniting one of rock and roll's biggest success stories ever. This bombastic behind-the-scenes documentary details the events that led up to KISS's record-breaking Alive Worldwide tour of 1996-97. Come witness the story of how Gene, Paul, Ace and Peter reunited and strove to write a new chapter in the history of rock & roll. This is KISS - The Second Coming.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Bollywood's new superhero universe is a romantic, fantasy, and action-packed journey of a young warrior who rises to save the world with superpowers.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.