Asem is a happy husband and father of two children. He works for the wealthy Fouad and Fouad's daughter Alia falls in love with him. Asem dreams of wealth and love together, so he abandons his wife and children and marries the carefree girl Alia, but he stumbles and does not achieve wealth after losing true love.
“I’m always interested in exploring female fantasy, and the sexy witch is a loaded archetype that is simultaneously about men’s fears and fantasies about women, and women’s feelings of empowerment and agency. So whereas we are used to seeing the sexy witch or the femme fatale from the outside, I wanted to explore her from the inside.” - Anna Biller, on why she made The Love Witch
A consumed-by-rage woman travels from universe to universe to avenge the death of her daughter by brutally killing her murderer over and over again. And that's all that she does.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.
