Kirikou's grandfather thinks that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how the little boy became a gardener, a detective, a maker of pottery, a merchant, a traveler and a doctor.
Michel Ocelot, Bénédicte Galup
Director
Pierre-Ndoffé Sarr
Kirikou (voice)
Awa Sène Sarr
Karaba (voice)
Robert Liensol
Le grand-père (voice)
Marie-Philomène Nga
La mère (voice)
Emile Abossolo M'bo
L'oncle (voice)
Pascal N'Zonzi
Le veillard
Marthe N'Domé
La femme forte
Emilie Gaydu
La grande fille
Gwénaël Sommier
Le grand garçon
Alex Carrete
Le garçon moyen
Yanis Durancy
Le petit garçon
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.
“Is it real? Does it exist? Of course it does," read Snyder’s tweet about his cut of ‘Justice League’. Little did we know, not only does it exist, but it is enough to fill 4 full episodes, each an hour long.
'Selena: The Series' loses sight of the story's heart: Selena herself.
I highly recommend Kill Bill: Volume 2. In classic Tarantino fashion, specific sections of the film are a tad too long, but overall, it’s a wonderful piece of escapist fiction.