Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Kiralık Koca: Aşk mı, Oyun mu? poster

Kiralık Koca: Aşk mı, Oyun mu? 

To escape her father's pressure to get married, Melike tells a lie and makes a deal with Ali, a charming con man, for a two-month fake marriage in exchange for money. However, Ali demands to move his own unrefined family into Melike's house as part of the deal. With women constantly chasing Ali, items mysteriously disappearing from the house, and an over-the-top fake mother-in-law, things quickly spiral out of control for Melike. Despite the ongoing chaos and her constant bickering with Ali, she must keep up the charade to avoid getting caught by her father and being forced to marry a complete stranger.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


To escape her father's pressure to get married, Melike tells a lie and makes a deal with Ali, a charming con man, for a two-month fake marriage in exchange for money. However, Ali demands to move his own unrefined family into Melike's house as part of the deal. With women constantly chasing Ali, items mysteriously disappearing from the house, and an over-the-top fake mother-in-law, things quickly spiral out of control for Melike. Despite the ongoing chaos and her constant bickering with Ali, she must keep up the charade to avoid getting caught by her father and being forced to marry a complete stranger.

Rating:
Genre:TV Movie, Romance, Comedy
Directed By:Gün Doğa Sarı
Written By:Dilek Aydoğdu
In Theaters:
Box Office:

Runtime:101 minutes
Studio:

Articles You May Like


'Jack and Diane' Review: Wasted Potential

The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.

Andrea Amoroso