'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Joe isn’t hard to please; fries swamped in ketchup, a fresh pint and his mates is all he needs to be happy. But he’s also got one peculiar passion… Ever since the Belgian wave of UFO observations in the 80’s, Joe has been obsessed and convinced that aliens have infiltrated every layer of society. So, as the self-professed Messiah, he’s taken it upon himself to kill off every last one of these little green men. The only problem is, they aren’t exactly green and nobody takes him seriously. But that is about to change, once a film crew meticulously documents his mission. The crew in question incredulously accepts his offer, hoping for some X-FILES slapstick while Joe himself is leaning more towards BOWLING FOR COLUMBINE. Literally, seeing as he’s taken up the bad habit of slaying anything that moves. A hooker here, a junkie there.
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
An attempt to capture nostalgia that unfortunately just doesn’t work
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
“Eleanor The Great” is a feel-good story that explores how we cope with grief and loss while educating us about the horrors of the Holocaust.