
In the mid 1970s a group of young men leave the Connemara Gaeltacht, bound for London and filled with ambition for a better life. After thirty years, they meet again at the funeral of their youngest friend, Jackie. The film intersperses flashbacks of a lost youth in Ireland with the harsh realities of modern life. For some the thirty years has been hard, working in building sites across Britain. Slowly the truth about Jackie's death become clear and the friends discover they need each other more than ever.
Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.
Taylor Swift dazzles many fans with remixes of her country and pop singles in her Reputation Stadium concert tour, becoming a successful concert film.
Ben Affleck leads The Way Back, a seemingly cathartic film for him after the actor’s recent bouts with alcoholism and rehab. He plays Jack, a man fighting his own battles who happens upon coaching a boys’ basketball team, the same team he once played for back in high school.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.