A remote monastery in China has trained a talking gorilla, King Kung Fu, in the ancient art of kung fu. Having mastered his fighting skills, King Kung Fu is sent to America to demonstrate the power of Chinese martial arts to the West. As he is travelling through Kansas, a pair of bumbling reports see KKF and decide he can be their ticket to fame and wealth. Of course, the gorilla gets away from them, and soon everyone is chasing the Shaolin simian.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Life may find a way, but is it worth testing its fierceness and how far it will go?
Happy Gilmore 2 is the perfect comedy to take you back to a simpler time
Films and TV series often tend to misrepresent or not acknowledge bisexual characters, but recent trends show that bi-erasure is now under deserved scrutiny. So, I’m genuinely happy about the direction bi-representation seems to be taking.
