“Disclosure Day” and Anthropocentrism
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.

The movie is part of the Kindaichi TV movie series. Kindaichi is played by actor Goro Inagaki. The character's grandfather began with the written word. Kousuke Kindaichi started life in the novels of Seishi Yokomizo, written and set in post-war Japan. Inspired by Arthur Conan Doyle and Agatha Christie, Kindaichi is still very much a unique character, giving the Japanese their very own literary hero-detective. Young Hajime Kindaichi is a young man with bad dandruff and worse dress-sense (decades before Columbo), who wears a trademark, scruffy sunhat. He also happens to be better than the police at deductive reasoning. Having gained publicity for solving a high-profile murder case, the detectives allow him to work with them again. This story is slimmer than the twisty plots of Inugami and Village, but is graced by the presence of Chiaki Kuriyama (Battle Royale, Kill Bill Vol. 1, The Great Yokai War) in the title role.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Yes, Asia is actually quite a large hub for amazing horror films even to this day, some people just never notice! Well, I'm here to change that. It's time to not let those words at the bottom of the screen scare you but instead be scared by some of the best horror you never knew about.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
Weird has a name and it's, Weird Al. 'Weird: The Al Yankovic Story' makes you want to "Eat it" then "Beat it".
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.