'Hatching' - Social Media as the Modern Cardboard World
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.

Killing The Shadows is a bawdy comic fable set in the Ottoman Empire during the mid-14th century based on two legendary figures in Turkish folkore, the jester Hacivat (Beyazit Ozturk) and the nomad Karagoz (Haluk Bilginer), men who apparently lived and died by their sense of humour.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
Chickenhare and the Hamster of Darkness explores true identity through exploration.
‘Exhibiting Forgiveness’ seeks to ask one question, “What do you do when your parents are the source of your pain?”
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
Keep scrolling to find names that should become part of your watchlist!
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.