What Does a Sympathetic Portrayal of Sexual Assault on Screen Look Like?
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.

Drama documentary based on Bill O'Reilly's and Martin Dugard's 2012 non-fiction book "Killing Kennedy: The End of Camelot". It follows the parallel lives of John F. Kennedy and Lee Harvey Oswald from the winter 1959-1960 to those fatal days in Dallas in November 1963, when they both died within two days after each other and were buried on the same day - John F. Kennedy in a state funeral in Washington D.C., broadcast live both to Europe and the Pacific, while Oswald was buried in Forth Worth at a small funeral where the attending reporters were asked to act as pallbearers.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
An adventure that centers on freedom and captures viewers' hearts.
I am shocked and upset to report that the movie about a female car mechanic who meets the love of her life online featuring Katy O’Brien does not, in fact, have a lesbian storyline.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
With such a raw look at the 15th century, it seems that Disney was really trying to step outside of its element with this motion picture.