‘Palmer’: Tearing Down Gender Stereotypes
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.

Young public prosecutor Keiichiro Okino is assigned to the department of the Tokyo Public Prosecutors Office that deals with violent cases, where he will work with Takeshi Mogami, whom he admires. When a money lender is killed and it is suspected that someone from Mogami’s past is the perpetrator, the team prepares to do his best in order to prove the alleged criminal’s guilt.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.
For those tranquil houses with white fences, what is happening behind every closed door?
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.