A family spends time together in their weekend home. They learn from a child in the neighborhood that some time ago people were killed here by radioactive boars. The local hunters who hunted the mutated beasts were also contaminated and have mutated into zombies. They haven't appeared for a long time, but the next morning all of a sudden the cuddly creatures are alive and go about their bloodthirsty business...
When it comes down to it, The English explores what happens when power is unchecked and how those who seem powerless, have more strength than most through their convictions for justice.
Dramatic Horror!!! Wait, what?? Did you say "dramatic horror"?? IS there such a thing?? I mean, TRULY. Well, if San Francisco-based, Pakistani-born independent filmmaker Dr. Hassan Zee and this film critic have anything to say about it, there IS such a beast as experienced through the director's newest feature film set to officially debut October 4th in the City by the Bay. Folks, indie film will always be a bastion of experimentation and originality, and this film for me fits that bill.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Through its morbidly humorous storytelling, Wednesday tells a tale of a world divided that explores the manifestation of generational trauma in its protagonist Wednesday Addams.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
Escape The Field is a serviceable horror thriller. The characters are easier to remember as horror character tropes. As I wrote this review, I only remembered the characters by their tropes: #FinalGirl, #Everyman, #Badass, #MeanB*/SexyGirl, #Realist/BlackLesbian, and #TheNerd.
