A documentarian sets out to make a true-crime murder documentary, but after the movie fails in spectacular fashion, he attempts to save face by doing a director's commentary on the original movie.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
The Last Son of Krypton returns as the kind-hearted, blue-eyed boy scout we all know and love.
If “Good Time” was a lean exercise in suspense, “Uncut Gems” is an ongoing panic attack. It handcuffs us to an immoral man, made up of selfishness and unreliability. At every point, Adam Sandler connects himself to this idiotic soul, unearthing the misguided opportunism that comes with gambling addiction
Eddington attempts to capture how media is intertwined with the uncomfortable present.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Only time will tell what this new Black Panther and movie will show us with all of the old and new elements of the superhero craft integrated.
