They brutally killed his wife, wiped out dozens of his innocent people, and burnt his entire village down to a charbroiled crisp. Now, master Liou Wen-lung is out for revenge. Armed with a near-invincible sword style and a pack of killer darts, he heads out to settle a 10-year old grudge with the cold-blooded evildoers. Joining him is his son, an orphan named Yu Sien and his trusty servant.
The film follows the biblical story of Moses, from his time as a prince of Egypt, to a leader for the people of Israel. It’s a film that works brilliantly in animation, and is one that both children and adults can; enjoy despite its religious contexts, it is friendly to general audiences.
A science fiction movie brings a strong diverse cast and adventure in outer space.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
'Kajillionaire' is a touching and eccentric story about family, crime, and the search for belonging.
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
