Kill or Be Killed (1950)

'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

Han's turn to villainy in 'Frozen' was foreshadowed cleverly in the story.

Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.

‘Concerto’ is esoteric at best, meant to satisfy the non-melanted’s sense of nostalgia. It is revisionist at worst, cherry-picking images that defy the true tapestry of the human condition.

Gay representation is out there, but to portray a character who's gay as a big, happy brute is a rare treat.