This film is a biography of a friendship. Set in the indie rock utopia of an evergreen forested Olympia Washington of the early 90's, this film chronicles the journey of the love of three friends from childhood to adulthood over a span of 20 years. Nestled in the mythology of bands such as Beat Happening, Bikini Kill, Unwound, and the Melvins, the story of KARP is the story of a childhood love forced to make adult changes in order to survive an adult world and how the choices we face as we follow our dreams affect those whom we love most. It is the story of how so often the thing that frees you can become your largest obstacle.
Adapted from a 2014 novel by Atticus Lish, Preparation for the Next Life is the feature film debut of documentary filmmaker Bing Liu. With the help of screenwriter Martyna Majok, he paints a realistic and somber portrayal of Aishe, a Uyghur immigrant, as she struggles to make a living while undocumented in the United States.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
Amsterdam is a confusing movie with a meandering plot amidst a beautiful rendering of 1930s New York
